E 'for some' time that this book tries to talk to me. Refers refers you I did spend about six months before tuffarmici. Almost a record, given the catastrophic property which has been developed. would be sufficient size, the image on the cover and commentary by King stamped over ("This book is a tremendous gift") to evoke a sense of need, an itch of curiosity who comes alongside.
Not to mention the title, upset over the original (which winks at a other work) but able to understand and express, at least in part, other aspects of the novel. I'm not a translator and I do not want to enter into controversy with this choice, since, unlike other cases , is somehow aligned with the content, highlighting other aspects, but it would be interesting to see if behind this repeated sweetening of foreign titles by color sometimes dreamy (as in the case of this book), but too often ridiculous, has only commercial cases or due to other aspects attributable to the darkest depths of the Italian social dynamics. But back al libro.
E' da un po' di tempo che non ne leggevo uno con tanto piacere. Non solo l'involucro e il layout, anche il contenuto è veramente notevole.
E' un romanzo di formazione, un
It 's a tale full of philosophy, the new edition of a modern myth of the cave but not only (the opening and closing maps are unambiguous references ). Very hard to read in one go without getting an uncharted ocean behind. Not only the content but also for the amount of branches, histories or notes elusive hidden in every other page. Larsen has found a fantastic way, interactive, using notes. The e-book edition would be really fun (the site is).
The story moves in all possible dimensions, indigestible without redundancy, and then close in a perfect circle and at the same time wide open.
no one is left with bitter taste in the mouth or the typical maliconia conclude a good story but it remains an incredibly large number of synapses activated.
Of what did need a boy of twelve years today? Or any person?
not easy to find a story that deals with issues like this without falling into the dictates / moral / more or less hidden fanaticism of any kind.
course, the views of the author is noticeable but not intrusive. He can run without monopolizing the flow of thoughts, making nonsense that unfold more and more plausible, if not autobiographical.
Laughter is reflected, is on tenterhooks.
Si gode di una lettura densa e leggera allo stesso tempo.
Niente si dimostra scontato come appare. O rinchiuso nelle linee precise di una mappa.
Su questo l'autore è molto chiaro, dall'inizio alla fine: i luoghi veri non son sono MAI segnati in nessuna carta, pixel o cornice. Per fortuna.
Davvero un dono enorme, non c'è che dire.
Not to mention the title, upset over the original (which winks at a other work) but able to understand and express, at least in part, other aspects of the novel. I'm not a translator and I do not want to enter into controversy with this choice, since, unlike other cases , is somehow aligned with the content, highlighting other aspects, but it would be interesting to see if behind this repeated sweetening of foreign titles by color sometimes dreamy (as in the case of this book), but too often ridiculous, has only commercial cases or due to other aspects attributable to the darkest depths of the Italian social dynamics. But back al libro.
E' da un po' di tempo che non ne leggevo uno con tanto piacere. Non solo l'involucro e il layout, anche il contenuto è veramente notevole.
E' un romanzo di formazione, un
On the road buffo e tenero (...) alla scoperta dei piccoli e grandi misteri della vitavisto con gli occhi di un dodicenne mezzo genio, mezzo disadattato che, sorprendendo prima di tutti se stesso, parte alla scoperta del mondo che fino a quel momento si era limitato ad osservare da lontano, in una mappatura tanto meticolosa quanto miope. Per tutto il viaggio siamo messi di fronte ad una serie d'interrogativi profondi, visti con occhio ingenuo e candido, a cui l'autore non pretende di dare risposte unique.
It 's a tale full of philosophy, the new edition of a modern myth of the cave but not only (the opening and closing maps are unambiguous references ). Very hard to read in one go without getting an uncharted ocean behind. Not only the content but also for the amount of branches, histories or notes elusive hidden in every other page. Larsen has found a fantastic way, interactive, using notes. The e-book edition would be really fun (the site is).
The story moves in all possible dimensions, indigestible without redundancy, and then close in a perfect circle and at the same time wide open.
no one is left with bitter taste in the mouth or the typical maliconia conclude a good story but it remains an incredibly large number of synapses activated.
Of what did need a boy of twelve years today? Or any person?
not easy to find a story that deals with issues like this without falling into the dictates / moral / more or less hidden fanaticism of any kind.
course, the views of the author is noticeable but not intrusive. He can run without monopolizing the flow of thoughts, making nonsense that unfold more and more plausible, if not autobiographical.
Laughter is reflected, is on tenterhooks.
Si gode di una lettura densa e leggera allo stesso tempo.
Niente si dimostra scontato come appare. O rinchiuso nelle linee precise di una mappa.
Su questo l'autore è molto chiaro, dall'inizio alla fine: i luoghi veri non son sono MAI segnati in nessuna carta, pixel o cornice. Per fortuna.
Davvero un dono enorme, non c'è che dire.
0 comments:
Post a Comment