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BIG RED SOUTH

replicates in Milan in the halls of the hotel The Westin Palace ***** on 22 September, the event sponsored by Go Wine "The Big Red of the South"
cultivated land will be present with its stand and propose:
- Taurasi Convio
2003 - 2005
Taurasi Convivio - the exclusive national sampling of the wonderful 2007

The program is as follows:
- 4:30 p.m. to 6:00 p.m. tasting reserved for professionals
- 18.30
press conference - 19.00 - 22:00 tasting open to the public

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SUD. Unit 150 years, no more excuses: no more state aid

Un mappa del Regno delle Due Sicilie .

Vorrei, da figlio di padre pugliese, che i meridionali italiani che risiedono al Sud, che ancora oggi, a 150 anni dall’Unità of Italy, blame the state of their incapacity for ages, meditating on a revealing fact. When a southern Italian goes to live in Northern Italy or abroad, without recommendations of the powerful. behaves decently all things considered, it fits well in the new company, often earning the esteem of colleagues and authorities, sometimes pursuing important goals. Instead, it remains fossilized in the South, his apathy becomes chronic, the vetoes, pessimism, envy, corruption and crime, the southern block of society, sometimes forever.
This is proof that the southerners are themselves the architects of their own success or sconfitta. Un secolo e mezzo è trascorso dall’Unità italiana, e ormai solo qualche novantenne affetto da Alzheimer è perdonabile se parla ancora di "colpe dei Piemontesi".

Sono stati proprio i grandi studiosi meridionali e meridionalisti – da Dorso a Salvemini, da Croce a De Viti De Marco, da Gramsci a Fortunato e a Compagna, quindi di ogni tendenza: per lo più liberali e democratici, ma anche marxisti – a scrivere sulle gravi colpe della cinica, parassitaria e ignorante borghesia meridionale, che finita la sua comoda vita all'ombra dei Borboni non ha mai avuto né idee né ideali, cioè dignità di classe dirigente che si fa carico anche dei doveri, e che nella Nuova Italia in exchange for a few privileged classes have turned their eyes away so as not to see, without lifting a finger to modernize the company's South .

And I will come to argue that there are shining exceptions (starting from the same Southern intellectuals, of course, and today only a few brave entrepreneurs and enlightened bourgeois) are a small minority that does not affect the social fabric. Because the dominant values \u200b\u200bin the South among the people are very different. A survey among young South a few years ago showed that almost all of them make it or would recommend. Unique in the world. This leads them to the Italian state? And 'because of Garibaldi, the Savoy, Bossi? No, because they were already doing so under the Bourbons, in the nineteenth century. Please read about the corruption, privileges, lack of freedom in the Kingdom of the Two Sicilies, and the cruel stupidity of the Bourbons, the beautiful and adventurous autobiography of a remarkable aristocratic Sicilian, I recommend you read (Michele Palmieri Miccichè, Thoughts and historical memories and contemporary , and Selleriio).

It is no coincidence that the South, still, there are few newspaper kiosks and almost no libraries, but instead many jewelers, banks, bakeries, butcher shops, restaurants and shops for weapons.
So far, state intervention to reduce the deficit southern secular (deficit of culture, morality, legality, private enterprise) did not work, because I went to grease the parasitic elites or criminal society of the South Well - Panebianco argues in a editorial in Corriere della Sera ("Liberalism and paternalism, the streets of the South" ) - is not that the alternative route of "liberal."
"The way a liberal, rather than the writer - writes Panebianco - (and that, in the long run, I think, would be the trump card for the South) is the one that says only the southern, and no one else can solve their problems. The State, therefore, provides the South, as suggested by the time Bruno Leoni Institute, only the opportunity becoming a big no-tax area by interrupting the flow of the same transfer of resources. The state would remain the South only with the equipment of the force (counter-crime) and essential public services. At that point, you will probably unleash a fierce conflict between the modernizing influences of the South (we are) and that "patronage without resources, dominant until today, has mentioned recently the president of Confindustria in Sicily Ivan Lo Bello. Since we changed the conditions of the game, the modernizing influences have, for the first time, the ability to prevail. Only when, after some time, had set in motion a process of self-sustained development (with the capital improvement umano, con una maggiore efficienza delle amministrazioni pubbliche, con una raggiunta capacità di attirare capitali) le varie regioni del Sud passerebbero progressivamente, anche del punto di vista fiscale e istituzionale, nella fascia A, quella delle regioni sviluppate.
"Oppure, si può seguire la via paternalista, la quale assume che i meridionali non siano capaci di cambiare le condizioni del Sud. Ma se la si sceglie, bisogna seguirla fino in fondo, coerentemente. In questo caso, è il centro che deve decidere tutto e a tutto sovrintendere. Anche con soluzioni istituzionali drastiche: fine di ogni autonomia regionale (Sanità in testa) e locale, azzeramento delle classi dirigenti colpevoli di sprechi, eccetera. Il problema è interventions to prevent modernizers of the center are distorted and the central resources "captured" by local elites concerned to feed clientele. As happened to the old case of the South and will happen again if you like stir centralism and autonomy, paternalism and liberalism. Again, it should be worth the commitment that the southern regions in which they succeed in generating development, a gradual transition in band A, reaches the promised land of fiscal federalism (but without compensation and transfers). If the South will not trigger as soon as a virtuous cycle of self-sustained development day will come that unity of this country is at risk. The bakery, and improvised solutions do not help. "So Panebianco.
Eliminate regional autonomy, then, from the Sicilian, the most scandalous of all, and subtract the regions health care spending. Agree more. The regions at risk, without money and health related fraud (a patch in Sicily coast to the city three times in the North) should change all the methods of life and, consequently, the local political class. As is well known that the main reason why everywhere in Italy, but especially in the south, you approach the policy is the hope of gain and bribes. Aside from these. politics as a profession for ne'er-do-nothing and would no longer appetibile. Dovrebbero davvero lavorare.
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JAZZ . La tromba di Clifford Brown, il maggiore trombettista del jazz moderno, in un appassionato Easy Living , uno dei brani più belli della sua breve vita artistica. E' tratto dal suo celebre "Memorial Album" (1953). Gli interpreti: Clifford Brown (tp), Gigi Gryce (as, fl), Charlie Rouse (ts), John Lewis (p), Percy Heath (b), Art Blakey (ds). Reg.: Audio-Video Studios, NY.

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Ostetriche all'estero

The AIORCE (Italian Association of Midwives for cultural relations with abroad) in partnership with a recruitment agency HCL International is organizing an orientation day for the Italian Midwives who wish to work in the United Kingdom, Australia / USA and Arab countries.
The event will take place in Milan on 14 and 15 September 2009 from 10.00 to 18.00 at the Conference Center "The Bells" room, fats, and it's completely free .
During the day, the HCL will provide information regarding various job opportunities in the international arena and practical information to facilitate access to the world of work in countries where obstetric want to work.

Also: Procedures for the registration in the professions of the countries where you want to work
A pre-interview to assess the proficiency of
Work-shop to prepare ourselves for ' The interview for recruitment
interested must come with the Curriculum Vitae in English and a passport photo

For information and to report the participation at the event please contact: Dr. Loredana Zordan, Midwife Assistant HCL for Italy (loredana_zordan@hotmail.com - Mobile 3475117813) Dr. Antonella Marchi, President AIORCE (chairman @ aiorce.com).
Convention Center The Bells: Corso Magenta, 61 - Milano Tel 0245462
The Bells and The Centre 'accessible from the railway station north of Cadorna and the metro lines 1 and 2, line 2, stop S. Ambrose.
In reference to recent events in which agencies asking for large sums abroad to find work to support them Obstetrics and administrative practices, it is noted that the AIORCE is provided free membership. The only cost will be for entry to the college where you are going to work and related expenses for the translation of documentation, if you are not able to translate their own.
Source: Aiorce - HCL International

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ENVY. From the "engine of the world" and the market in the Italian national vice

Perfino in un club nudista una ragazza giovane, beautiful and shapely is the envy of a woman olders and less equipped. Body language speaks volumes. (In the photo pool for a U.S. club from the early sixties).
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Last year some imaginative "creator of events" the devoted even a festival . Where? And where, if not in Italy? We speak of envy, the vice Italian national. What, according to the stereotypes, in the north of the high and blond with blue eyes should encourage healthy competition in the free market (imagine), but which will block any initiative in the South. Just try
, below the River Garigliano, to undertake any activity: all against you, from the usual gossips that blanketed criminal background, the usual enemies who will awaken to "honor", a term that typically means southern discredited in the eyes of the community (activities in which the southerners yesterday, today, all the Italians excel), then the usual friends and family who will tell you "Who you do it? Look at me, do not risk anything, you'd enemies ..." Relatives and Friends Italian snakes.
Italian? Be ', really it seems that the viziaccio in physiological form common to all men, is present in a pathological form, that is widespread and therefore social effects, in the DNA of Magna Graecia, as a residue of a real Greeks, that the controversy intestine of unbridled pride and fratricidal hatred that destroyed their own democracy and civilization of ancient Greece, to read the same Greek historians from Polybius down. A female vice
, they say. Poor women, always blame of all the vices of man in general. Their only fault is that instead of being too sincere, eehm .. I wanted to say instinctive, that is, unable to hide the feelings, even worse, as they know very well we do males "rational" (that's what good the reason ...). Just look at the picture taken in the 50's enjoyable in a nudist club American, which I conveniently tacked in light green, the alleged color envy. The ugly middle-aged lady betrays so pathetic as it can away with the bust in a pose obvious even to those who do not know what the psychology of the body and gestures, its remoteness, distrust and dislike, but yes, envy his beautiful and good, for that big girl full of youth, optimism, ingenuity and curves. Many curves. She, however, should not have had even as a young man, if it ever was young. In short, women, even at the nudist club, where nudism should iron out differences and unites social and individual, and contrasts, rivalries persist. And, watch out ladies women, the first anti-feminism to blame: the same might you could see between an old man very debilitated and petty and a young boy and sporty, only if a photographer had malevolent lurking nearby with the same intent with which it is perched in front of two women so different and irreconcilable. But today, smiling less in looking at the photo: We males, even the most squalid, pretend we know better, even in the photos.
Envy, in short, as a disease, terrible "worm of the soul," called a brief comment in the near Massimo Barberi September issue of the journal "Brain & Mind" (The Science edition), all dedicated to the dark matter.
"It's the most disgusting of sins, unspeakable emotion gnawing from within, "says Barbieri." Envy is like a rust of the soul condemned to solitude. In the paintings of the Renaissance is represented like this: an old woman, poor, lame and hump, tearing hair from poisonous snakes to throw at others. It is envy, a common sense and miserable, so this at all latitudes and longitudes that pretty much every religion has stigmatized. If the Catholic religion is one of the seven deadly sins, for Buddhists is one of the mental factors that can lead to hatred. And the second is a feeling that belongs only to Muslims who do not profess their faith.
"Often confused with jealousy, the greed or with resentment, envy is an emotion rather well-defined and studied from various angles. For psychologists, for example, comes mainly from a comparison of powers between us and others, and emotion is unpleasant for those who test. Sociologists, who for decades have seen recently is worthy of attention today as a tool of social mediation.
Bah, a little 'trivial, no? You could write better. Yeah, because he wrote this Pezzullo envy? I would not have been better I?

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JAZZ. That great Italian sax. Behind there was not a king, but a gentleman

His jazz orchestra near the altar, his tenor saxophone, the friend of a lifetime, now silent forever on an empty chair. This was the farewell yesterday morning, in San Secondo in Asti, paid tribute to jazz great Gianni Basso, the star for over 50 years of great concerts in Italy and abroad. Not a "king", the jazz world does not know them, but something more: a true gentleman of Italian jazz. The Italian jazz musician with the longest career, the one that had introduced continuously and decent Italian jazz musicians in Europe and America. Great musician, great conductor of orchestras and instigator of events, great and generous talent scout, a great man, endowed as the true great of humanity, psychology and ease, unlike many prima donnas hysterical Italian jazz. Had died in hospital last Monday at age 78.
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was something Charlie Parker and Coleman Hawkins something. The increasing vehemence, the phrasing and rich carved baroque notes in the round, even the hot sounds of the great tenor saxophonist of the swing and the undisputed designer of his instrument, he found out little by little surprised. Why Gianni Basso, great saxophone player, improviser, conductor, arranger, author, instigator of events and generous talent scout and as a young, forever young, a partner of great musicians from around the world, was soaked in bebop.
was not "King of Jazz" in Italy, as they would like the chroniclers of spettacoli, che non si intendono di jazz ma devono pur inventarsi un titolo. Nel jazz, si sa, dopo morti sono tutti "re" per i giornali italiani. No, era troppo signore, troppo umano, troppo perbene e cordiale per volerlo e per esserlo.
Fu certamente tra i maggiori jazzisti italiani di tutti i tempi, e comunque quello con la carriera continuativa più lunga, a cominciare dal 1950, e in gran parte passata attraverso la televisione, allora sicuro approdo per una bella grande orchestra come la sua (il quintetto, ma poi anche sestetto e ottetto Basso-Valdambrini).
Gianni Basso è scomparso il 17 scorso a 78 anni, e come accade sempre nel jazz, musica giovane, di giovani e per i giovani, aveva suonato fino all’ultimo. Da giovane. E un sassofono non è un pianoforte, che può suonare con quattro dita anche il centenario Eubie Black.
Aveva scelto nel dopoguerra il bebop di Parker, Gillespie, Powell e Monk, la rivoluzione del jazz moderno, che aveva cambiato in profondità, reso più veloce e sintetico, finalmente davvero "sincopato", il jazz, e non l’aveva più abbandonata.
Perché avrebbe dovuto? Proprio come si addice chi è sulla mainstream, la strada principale della musica moderna, e non è spinto a curiosare tra i vicoli, non tentò mai le sterili avanguardie alla moda, sempre ripiegata su se stessa. Anche quando questa gli avrebbe portato più dischi per la sua discografia personale (dischi prodotti, non certo venduti) and more awareness among young people, those to be clear that "the Coltrane jazz starts at the last." He had been accused of having made music "television", that is comforting, to please even the rag.Rossi and the lady upstairs, even to work for the bourgeoisie. " Toh, the same accusations that could be done to Vivaldi, Bach and Mozart. And never mind him, so modest, it could be comparable to those giants.
course, the snobbery of those who despise the public intellectualism and spitting on the hand that feeds not ever touched. He was humble, as it should be an artist, in front of audiences for whom he played. In fact, like all true artists could communicate. Moreover, history has taught us that art, sooner or later - sooner rather than later - is understood by the public. A music for themselves, "incomprehensible to others, they said the scholars of aesthetics, not art, rather it is a contradiction. The art, as well as interpretation of reality, of Nature, is communication, message.
No, Gianni Basso, too savvy, that is smart to ignore, jazz does not begin with some Coltrane or Ornette Coleman, but the blues and the old times in New Orleans and Chicago jazz musician and a good and complete must have absorbed and digested all styles, all musicians, all ages. So jazz is full, so it is difficult. But he also knew that jazz has been the formal language of bebop. E 'bebop. There is a "progress" even in art. But Bass, with the choice of reeds just gave him this unique sound, that sounds classic, this round and impetuous phrasing that appeals to everyone, even some incurable traditionalists.
He played with all the jazz greats of European and global, his saxophone was in great demand because it was the first European style (he was very useful form as a teenager in Belgium, where the family lived, in the orchestra Raoul Falsan.
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Gianni Basso on you can read the biography of Wikipedia, in addition to the news at the time of his death, on Corriere della Sera and Print .
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JAZZ - YouTube has a few movies on Gianni Basso, and not the best. However, there is a better audio recording accompanied by slides, is the historic festival Umbria Jazz, UJ when jazz was still good. We Orvieto July 27, 1974 (Bass is 43 years old) in the Gardens of Albornoz. The quartet of Gianni Basso (tenor sax) and Dino Piana (trombone). Sounds in a beautiful Lover Man . a transcript that is almost timely as to Pansa was Parker on tenor and tone with a warmer. 87 (56 years) Gianni Basso is a recording RAI led a big band in young Quo Vadis Samba . Finally, in 2006, when old (75 years) but not for jazz, here is a recording of chance, such as poor acoustics, Gianni Basso and Mario Rusca (piano) at the Hotel Visconti jazzclub Milan. Notice the constant dialogue with drummer Low Faraò.

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Midwifery education module


educational modules published by WHO / WHO in 2008 for the Training of Midwives (pdf):
Managing Prolonged Obstructed labor and
Managing postpartum haemorrhage
Managing Managing puerperal sepsis
Eclampsia
Managing incomplete abortion
For the rest of WHO publications of interest obstetrician: http://www.who.int/reproductivehealth/publications/maternal_perinatal_health/en/index.html